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If there?s one thing that software developers like better than attracting new customers, it?s poaching existing users away from their preferred software. It isn?t easy. Owners of software-driven music studios of any size are creatures of habit and almost always stick within the comfort zone of formats, workflow practices and procedures they?re familiar with. Software they know. We can be kind of grumpy and stubborn about it. |
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As an editor and compositor, I know that choosing the right plug-ins for your projects can make the difference between a good final product, and a great one. When I heard that Genarts had released a new version of its very popular plug-in pack "Sapphire" for Avid's AVX plug-in architecture, I was excited. Let's see how it stacks up. |
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Sony Creative Software recently announced the latest version of its very popular, professional editing program, Vegas Pro 8. Some features include working with AVCHD and XDCAM video files, among others, along with a more powerful titling application, ProType. Another interesting feature/function is the capability to work in 32-bit floating point video processing, giving it a more aggressive way to cut and finish video. |
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Ever since I began playing a train game on my dad's ancient PowerBook 140 back in 1992 I've always loved the world of Macintosh. That was then. With today's work I am always using music files, pictures, videos, and making slideshows that need to be burned to DVD for both family, friends, and now for school. |
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One of the best new features in all of the Final Cut Studio family is the addition of surround sound mixing to Soundtrack Pro 2 (STP2). Let's take a look at how easy it is to mix in surround sound, and things you need to keep in mind while doing it! |
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