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Digital Video Editing-Home Splash
  • Using Add TransferMode in FinalCut
    Joel Holland has offered up some free footage in both High Def and Standard Def formats - so why not use them? But if you don't know how to composite in Apple's Final Cut Pro, don't worry that these free graphic elements don't come with alpha channels, you can use transfer modes to drop out the darkest parts of the movie without keying.

  • Red Rentals Mexico Gets Top Results with the SCRATCH-RED 4K Digital Workflow
    Rodrigo Huerta and Luis Bustamante, founders of Red Rentals Mexico, knew that filmmakers and agencies are looking for more economical methods for creating and producing high-quality films, documentaries, and TV commercials. With the advent of RED's 4K digital camera, as well as the SCRATCH-RED 4K Digital Workflow, they immediately realized the potential for producing digital imagery projects on par with 35mm film yet at substantially lesser cost.

  • Automatic Duck Pro Export 4.0 for Final Cut Pro
    As I have said in previous articles, there is no better tool on the market for FCP and Avid editors to invest in, then the Automatic Duck family of plug-ins. What they give editors on both platforms is not only a way to move between their editing program of choice and Adobe's After Effects (Pro Import AE), but the capability to move back and forth between editing applications (Pro Export FCP, Pro Import FCP) and post audio workstations alike.

  • Final Cut Pro 6 Level 2: Preferences, projects and sequences
    In this training video, host Jerry Leer discusses preferences, projects and sequences. The preferences in FCP have been sub grouped in different headings, making it easier to find things. He shows the FCP menu and goes over each of the preferences in the menu, starting with the Audio Video settings. he also covers preferences under the General tab, editing, Timeline, Render control, and Audio outputs.

  • Final Cut teams with Berlin Cameron on quirky campaign for Sony Latin America
    Final Cut Editor Carlos Arias recently completed a campaign for Sony Latin America via ad agency Berlin Cameron.

  • Lenovo ThinkPad W700 mobile workstation
    It's not very often that a notebook computer has the potential to be a game changer in the market. The routine of the notebook manufacturers are fairly predictable. Intel releases a newer, faster and lower power CPU, and the manufacturers build yet a new notebook around it and call it the next best thing. Lenovo has taken a slightly different, yet radical tact to notebooks by building a Wacom Tablet right into the wrist rests of its ThinkPad W700 workstation class notebook computer

  • Final Cut Pro 6 Level 3: Ripple and Rolling edits
    In this training video, host Jerry Leer covers ripple and rolling edits. He setys up FCP for Ripple editing and describes what a ripple edit is and what it does to your timeline. He also covers what a rolling edit is as well and gives detailed explanation on how to perform a ripple and rolling edit.

  • DVShade Easylooks 2.0.1
    Easylooks 2.0.1 (EL) was created using FX Factory Pro's architecture, so you will need to download FX Factory Pro, which is totally free from the Noise Industries website. Once you have downloaded EL, simply double click on the .fxpack icon, and it will automatically load into FX Factory Pro. Since you are now ready to start color grading, let's jump into FCP, and see what we have to work with.

  • Why You Need Magic Bullet Looks
    If you've been checking out the DMN website over the last couple of weeks, you would probably know that Mike Jones did a great series of articles on do-it-yourself color grading. Keeping on that idea, for me, there is only one plug-in (program) I use when I want to do any of my color grading work, and that's Magic Bullet's Looks. Looks is a powerful, fast and more importantly, simple plug-in to use. For this article, I'm going to give you four great reasons why you need to add this plug-in to your arsenal.

  • Adobe CS4: Six Things to Keep In Mind
    Such is the nature of the upgrade cycle: just as creative types were getting used to the CS3 line, Adobe goes and announces CS4. And while you've likely seen myriad press releases and first looks and other introductory stuff by now, here are a few "below the fold" observations based on the the experiences I've had with the CS4 betas over the last several weeks.



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